Tiger
Rag Demonstration, Lecture 5.2
Jelly Roll Morton demonstrates
the creation of
Tiger Rag (describing early 1900s)
Now Jazz Started
in New Orleans, and this Tiger Rag happened to be transformed from an old Quadrille
that was in many different tempos. An I'll no doubt give you an idea of how it went:
This was the
introduction meaning that everyone was supposed to get their partners.
"Get your
partners, everybody get your partners!" People would be rushing around the hall getting their partners.
Maybe, have maybe a five minutes lapse until that time, and then they
started over again and that was the first part
And the next
strain would be a waltz strain.
That would
be the waltz strain. Also they
would have another strain that comes right beside it. Mazooka [Mazurka] time.
Of course,
that was that third strain. And
of course they have another strain, and that was in a different tempo. That’s a two-four time.
Of course they
had another one. Yeah!
Now I will
show you how it was transformed. It
happened to be transformed by your performer at this particular time. Tiger Rag [for your approval?]. I also named it, came from the way that
I played it by making the "tiger" on my elbow. I also named it, a person said once "It
sounds like a tiger hollering." I said "Fine," to myself. I said, "That's the
name". So I'll play it for
you.